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Du vil se en omfattende beskrivelse af A Quiet Place (2018) nedenfor:
- Original titel : A Quiet Place
- Film titel : A Quiet Place (2018)
- År for film : 2018
- Genrer af film : Drama, Gyser, Thriller, Sci-fi,
- Status for film : Released
- Udgivelsesdato for film : 2018-04-03
- Virksomheder af film : Sunday Night, Platinum Dunes, Paramount,
- Landene i film : United States of America,
- Sprog af film : English,
- Varighed film : 91 Min
- Gennemsnitlig stemme af film : 7.3
- Youtube ID film : p9wE8dyzEJE
- Oversættelse af film : RU,EN,DE,FR,HU,UK,DA,ES,EL,IT,PT,TR,TH,BG,KO,FI,HE,PT,NL,SV,PL,SR,LV,CS,ZH,RO,JA,HR,ZH,LT,CN,ES,FR,SK,ET,ZH,VI,ID,SL,BE,FA,
- Aktører film :Cade Woodward (Beau Abbott), Doris McCarthy (Woman in the Woods (uncredited)), Emily Blunt (Evelyn Abbott), Millicent Simmonds (Regan Abbott), Ezekiel Cavoli (Baby Abbott (uncredited)), Leon Russom (Man in the Woods), John Krasinski (Lee Abbott), Rhoda Pell (Old Man's Dead Wife (uncredited)), Evangelina Cavoli (Baby Abbott (uncredited)), Noah Jupe (Marcus Abbott)
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A Quiet Place (2018) er den største film udskilles af Sunday Night, Platinum Dunes, Paramount, der har en beskrivelse af filmen er "Den lille familie - far, mor og to børn - lever isoleret ude på landet uden kontakt til de få andre mennesker, som har overlevet invasionen. De har indrettet deres hverdag efter, at alt, hvad de fortager sig, skal foregå i fuldstændig stilhed. For mystiske og dødsfarlige væsner, som angriber ved den mindste lyd, strejfer rundt.". Filmen er produceret med fremragende grafisk kvalitet, bedste lydkvalitet og fineste bedste skuespillere.
Efter jeg første lærte om denne film er jeg ikke helt sikker i tilfælde I interesseret i idé eller ikke. Efter at have set det vedrørende til staten hvor jeg virkelig gerne. Jeg helt klart anbefale denne film for dem, der herunder genre Drama, Gyser, Thriller, Sci-fi, . Du vil være i stand til at ur det uden omkostninger ved blot klikke indsende og tilmeld, du eventuelt kunne ur millioner af nyeste filmtitler uden omkostninger.
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Casting : Jodi Angstreich, Key Grip : Kevin Lowry, Executive Producer : Celia D. Costas, Digital Compositor : Evander Major, Visual Effects Supervisor : Scott Farrar, Gaffer : Bill Almeida, Set Decoration : Heather Loeffler, Visual Effects Coordinator : Amelie Thomas, Director of Photography : Charlotte Bruus Christensen, Makeup Department Head : Evelyne Noraz, Mix Technician : Kurt Godwin, CG Artist : Ghislain Bruneau, Digital Compositor : Nicolas Cadorette Vigneau, Supervising Sound Editor : Brandon Jones, Original Music Composer : Marco Beltrami, Assistant Sound Editor : Veronica Li, Stunts : Aaron Vexler, Additional Photography : Eric Steelberg, CG Artist : Cyril Plusse, Visual Effects Supervisor : Ruben Rodas, Gaffer : Bob E. Krattiger, Textile Artist : Scott T. Coppock, Visual Effects Editor : Sam Willing, Associate Producer : Jeffrey Beecroft, CG Artist : Stéphanie Morin, Executive Producer : Bryan Woods, Second Unit Director of Photography : David Emmerichs, Greensman : Michelle Cantillo, Assistant Set Decoration : Mary Fellows, Electrician : Esteban Aparicio, Digital Compositor : Chris Crowell, Stunts : Thomas Forbes-Johnson, Assistant Sound Editor : Veronica Li, Visual Effects Coordinator : Ashley Doss, ADR Mixer : Bob Lacivita, Digital Compositor : Gabriel Curpas, Executive In Charge Of Production : Ralph Bertelle, Second Assistant Director : Alina Gatti, Screenplay : Bryan Woods, Digital Intermediate : Thomas Kuo, Sound Mixer : Michael Barosky, Animation : Alberto Martínez Arce, Visual Effects Producer : Ryan Wiederkehr, Animation Supervisor : Scott Benza, Production Manager : Garrett Grant, Executive Producer : Scott Beck, Additional Photography : J. Steven Matzinger, Special Effects Supervisor : Mark Hawker, Scenic Artist : Matt Mikas, First Assistant "A" Camera : Stanley Fernandez Jr., Producer : Michael Bay, Utility Stunts : Scott Burik, Production Design : Jeffrey Beecroft, Supervising Sound Editor : Erik Aadahl, Director : John Krasinski, Digital Compositor : Cedric Tremblay, Visual Effects Producer : Jacinthe Côté, Props : Michael Powsner, Foley Recordist : Peter Persaud, Foley : Gina Gyles, Stunts : Adam Shippey, Sound Effects Editor : Justin M. Davey, Animation Supervisor : Rick O'Connor, Screenplay : John Krasinski, First Assistant Director : John R. Saunders, Digital Compositor : Tim Fescoe, Hair Designer : Mandy Lyons, Stunts : Caroline Vexler, Digital Compositor : Mathieu Girard, Visual Effects Producer : Katherine Soares, Unit Production Manager : Deb Dyer, Cableman : Luke Q. Iaciofano, Screenplay : Scott Beck, Casting Assistant : Noa Isabella, Extras Casting : Allison Hall, Set Costumer : Hilary Seeley, Assistant Property Master : Bentley Wood, Digital Compositor : Alex Tropiec Jr., Stunt Coordinator : Victor Paguia, Pipeline Technical Director : Elizabeth Kim, Grip : Tristan Allen, Executive Producer : Allyson Seeger, Set Medic : Kerry Flood, CG Supervisor : Sylvain Theroux, Location Scout : Daniel Pollack, Digital Intermediate Colorist : Stefan Sonnenfeld, Best Boy Electric : Peter Russell, Hair Department Head : Annemarie Bradley, Set Dresser : Sean Turney, Still Photographer : Jonny Cournoyer, Scenic Artist : Tanicia Osuch, Story : Bryan Woods, First Assistant Camera : Kris Enos, Matte Painter : Éric Hamel, Key Costumer : Kelly L. Brown, Property Master : Michael Jortner, Rigging Grip : Michael A. McFadden, Supervising Sound Editor : Ethan Van der Ryn, Additional Grip : Dave Romero, Libra Head Technician : Sean Folkl, Digital Compositor : Zahid Jiwa, Set Medic : Kathleen Fellegara, Second Assistant "C" Camera : Mabel Santos Haugen, Generalist : Martijn van Herk, Sound Designer : Brandon Jones, Foley Artist : Steve Baine, Stunts : Antal Kalik, Scenic Artist : Justin Horowitz, Electrician : Abi Iverson, Digital Compositor : Will McCoy, Scenic Artist : Matt Chappell, Hairstylist : Charise Champion, Matte Painter : Gaëtan Borneuf, Grip : Spencer Rubin, Art Department Coordinator : Leah Palen, Rigging Gaffer : Clay Liversidge, Drone Pilot : Dexter Kennedy, Digital Compositor : Deron Hoffmeyer, Sound Re-Recording Mixer : Noyan Cosarer, Art Department Assistant : Andrea Orejarena, Animation : Mickael Coedel, Digital Compositor : Ben O'Brien, Grip : Joshua Bogert, Animation : Dave Logan, Head Carpenter : Charles Serocki, CG Artist : Etienne Laroche, Online Editor : John Diesso, Construction Coordinator : James Wendelken, Visual Effects Supervisor : Vincent Poitras, Visual Effects Production Manager : Jeremy Beadell, Loader : Matt Albano, Animation : Jean-Denis Haas, Extras Casting : James B. Mackay, Color Assistant : Nicholas Figueroa, Producer : Andrew Form, Digital Compositor : Daniel Post, Assistant Art Director : Ali Kashfi, Costume Supervisor : Francisco Stoll, Color Assistant : Brett Price, CG Supervisor : Jeremy Bloch, Digital Intermediate Producer : Margaret Lewis, Boom Operator : Frank Graziadei, Casting : Maribeth Fox, Sound Effects Editor : Allan Zaleski, Second Assistant Director : Dustin Bewley, Assistant Editor : Patrick Shewmaker, Casting : Laura Rosenthal, Leadman : Dave Weinman, Producer : Bradley Fuller, Studio Teacher : Bethany Hagen, Editor : Christopher Tellefsen, Digital Compositor : Victor Torres, Graphic Designer : R. Scott Purcell, Visual Effects Coordinator : Devin Anderson, Executive Producer : John Krasinski, Visual Effects Production Assistant : Romane Wingerter, ADR Supervisor : Robert Jackson, ADR Recordist : Wouter van Herwerden, Makeup Artist : Kelley Mitchell, Executive Producer : Aaron Janus, Props : Gabu Camilo, Script Supervisor : Dianne Dreyer, Stunts : Leigha Hancock, CG Artist : Eliott Beaudon, Special Effects Coordinator : Andy Weder, Costume Design : Kasia Walicka-Maimone, Concept Artist : Furio Tedeschi, Sound Re-Recording Mixer : Brandon Proctor, Additional Editing : Roger Barton, Digital Compositor : Travis Pinsonnault, Second Assistant "A" Camera : Christopher Eng, Aerial Camera : Jason Aron, Casting Associate : Kimberly Guzman, Concept Artist : Luis F. Carrasco, Story : Scott Beck, Assistant Costume Designer : Brittany Loar, Concept Artist : Thomas Pringle
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Friday, January 4, 2019